The Coalition For Disturbing Metaphors (halfshellvenus) wrote,
The Coalition For Disturbing Metaphors

Movies 'R Us

A couple of movie rambles today, one I watched yesterday and one from a few weeks ago…

First, yesterday's 'boy-kissing' movie, Latter Days.

I have mixed feelings about this movie. There are lots of individual parts that are good, but for me the sum is weaker than its parts.

The story involves a young Mormon missionary who meets and becomes attracted to a gay L.A. party-boy, and as a result struggles with how to deal with his own suppressed homosexuality.

The part of the missionary (Aaron Davis) is played with heartbreaking sweetness and honesty by Steve Sandvoss. His character is wonderful—his faith is genuine and his kindness true. One of the things I liked most about this movie is that his faith is not denigrated or downplayed. The LDS Church's stand on homosexuality obviously is one which the movie cannot agree with or support, but Aaron and his fellow missionaries are not depicted as buffoons (one of the other younger elders is an ass, but he's balanced out by the two other older, calmer elders). The movie shows the emotional challenge of being a missionary—lots of slammed doors and hardly anyone ever happy to see you. I don't recall missionaries being kept out of contact with their families as shown here, though. I used to correspond with a friend who was on a mission in Finland, and I remember well a high-school friend whose family ran up the bills talking to their missionary son long-distance. I don't know where that idea comes from, unless something's changed in the last 25 years.

Throughout the movie, Aaron's faith is never in question—it's strong, it's real, and it's bigger than which church he happened to be raised in. It's an intrinsic part of who he is. Though the movie attempts to show how hard his situation is— what he'd actually be giving up to be true to himself— I don't think it makes the point quite clearly enough. Aaron's choice is between a life which holds the eventual possibility of romantic love and passion on the one hand, and his family, his church, his community and his past on the other. There is no path of compromise.

Now, part of where this movie succeeds less for me is in the character of the party-boy, Christian (Wes Ramsey). Chris is a stereotype in so many ways—he's pretty, shallow, and promiscuous, and he's got that nasal slightly-lispy 'flamer' edge (looks like a boy but acts like a girl). And prettiness aside, I'd think his obvious gayness in behavior would be UNappealing to someone who's having enough trouble with his own feelings and comes from small-town Idaho. Although Aaron inspires Chris to become less self-centered and shallow, Chris' transformation wasn't enough for me. Given what Aaron stands to lose, it's hard to believe that this is the guy he'd consider it for. Oh, Aaron—you could do so much better.

If you're mostly interested in the prettiness, the movie has that. Both guys are very attractive, and even moreso together. Wonderful kissing, etc., no complaints there.

But I wish the story had taken the time to more clearly show what Aaron was facing. It's an even more difficult situation than the average viewer will realize, especially in this day and age when much of American society has modernized its thinking on this topic. Aaron's society has not changed.


The second movie is No Reservations (Catherine Zeta-Jones and Aaron Eckhart).

This was okay, though I see why its reviews were lukewarm. For me, part of that was that I was expecting a romantic comedy (to judge from the trailers and advertising), and it really wasn't a romantic comedy. In fact, there's some pretty heavy tragedy in the beginning.

The main character, Kate (played by Zeta-Jones) is wound too tightly and not terribly likeable. Unfortunately, she doesn't unbend far enough (or maybe not quickly enough within the story arc) to change that impression much. Kate has lots of control issues, and these are challenged by the presence of her niece (the wonderful Abigail Breslin, in the standout performance of the movie) and a new chef on her turf (the woefully miscast Aaron Eckhart as Nick).

Here, Eckhart looks more like he belongs at a NASCAR event than as a chef in a fine-dining establishment, and though that anachronism is meant to be part of his character it's carried too far. He seemed out-of-place throughout this movie, and both the character and actor are continually trying too hard. It becomes annoying after awhile!

Eckhart has more chemistry with Breslin than with Zeta-Jones, but even so it's not enough to sell this story. The movie was okay, but it was more "meh" than anything.

Tags: movies
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