The first is British bleed into American settings, that just throws me right out of the story. One minute it's all good, and then a snigger or have a go or for f**k's sake or wonky or the like pops up, and then more start piling in and that's it— the story's ruined for me. *cries* I know not everyone is bothered by this, but to me it's like someone singing off-key (which is intolerable when you're pitch-sensitive, believe me). I've thought many times about creating a 'helper' page for equivalent British=>American phrasing or "things to avoid", because I see this in both of my main fandoms, but I haven't found the time yet.
That said, I have similar thoughts about a quick-and-dirty summary for writers of all origins regarding how to format dialogue, or the whole lay/lie distinction and how to tell what tense you're in and the red flag words that belong with one tense but not the other (can/could, may/might, will/would— you get the idea). Potentially helpful! But where is the time?
The second area, which is probably an even more personal issue than the first, is AUs and ensuing characterization. ( Read more...Collapse )
Actual dreck: Sure, there's badfic out there, but fanfic has some incredible writers in every fandom. And there are times when what people write for free on the Interwebs SO easily exceeds some of the things I find in published books that it boggles my mind. Cases in point:
Wow, look— I totally avoided slamming Jonathan Kellerman and his "Mary Sue" mysteries involving Alex Delaware! Oh, wait. Um...